So, I’m finally watching….

Crime Scene: The Vanishing at the Cecil Hotel, about the mysterious death of Elisa Lam. This is very frustrating. I’ve started this post two or three times and deleted each draft because I don’t want to sound like a bastard toward people doing what I essentially launched my writing career doing: “websleuthing,” kinda.

This series troubles me because the ultimate truth of Elisa Lam’s death isn’t chilling, real world horror as if she’d found herself trapped in some real world version of The Overlook Hotel from Stephen King’s The Shining. Elisa Lam wrote openly about her struggles with mental health. Anyone who has ever witnessed another person in the throes of a psychotic state saw the infamous elevator video of Elisa at the Cecil and knew what they were seeing.

All the internet churn surrounding Elisa’s vanishing and death from amateur sleuth types was understandable — and ultimately pointless. People loaded up Youtube with hours upon hours of utterly pointless videos discussing this case, parsing every moment…and in the end it was a bipolar woman off her medication and actively psychotic.

Of course there are questions about Elisa’s death. There will always be. Many are legit, I don’t question asking them.

But as someone who has had a part in evolving online crime writing and websleuthing and as someone who has lost a sibling to mental illness, this particular series is really bothering me. I have no idea how it could’ve been made differently, but one thing that does occur to me is framing it as some kind of gritty true crime account is a disingenuous choice. It pulls the focus away from the person at the center of the story — this intelligent, creative, and sadly very troubled young woman — and onto the self-styled “sleuths,” especially.

But Steve, um, weren’t you kind of at the vanguard of this sort of thing? There were like, what, three crime blogs online when you started?

Yeah. I was. And I learned from every single thing I wrote about. One thing I learned is we begin immediately making up our own narratives about high-profile mysteries. And because most of us are not in law enforcement and privy to a huge load of actual, concrete evidence, we start reinforcing our theories. We put them online. People start coming up with counter-theories. Others question your interest, as if all humans aren’t immediately curious about the fates of others — because we are. That’s the root of so much interest from strangers in true crime cases, in real mysteries of any kind.

Elisa Lam’s death was a gruesome and incredibly sad mystery. The real story is about mental health, however. Crime Scene spends way too long framing its narrative like true crime before it finally digs into Elisa’s own writing about being bipolar.

It begins to feel, by the third installment, like this was a fascinating and complex 90-minute documentary shoved into multiple episodes. I say this as someone who has been in their position many times, too, but it relies far too much on the videos from “sleuths.” They feel by the end of the second episode like what they are: filler.

I’m watching Crime Scene to the end to give myself a chance to change my opinion because smart people I know who do genuinely good work with true crime are involved, and producer and director choices were not their call.

But maybe since I sat down today to record segments for a true crime show on an actual murder I wrote about 14 years ago when I ran, I’m just thinking a lot about this whole true crime thing online and how it has evolved, especially since podcasting was revealed as perhaps the ideal web-centric format for it.

The subject is still a source of intense fascination for me. My best ideas for nonfiction books are true crime subjects. I am really finding out in the last couple of years, however, that my perspectives have changed. I don’t know if I just take it all much more seriously than I did or if this is a result of just aging and growing up, but there it is.


I feel silly doing this here, too…

But I am trying to save some folks trouble: Put simply, if you are seeking “Huff Paranormal” Steve Huff, you are in the wrong place. I am not that man. To my knowledge we are not blood related and I have had only the most limited interactions with him.

We are both easy to find via Google and we both are connected to heavy subjects—me to true crime and him to contacting the spirit world.

About that I will only say I’m a skeptic but I try to avoid judging others’ beliefs. And I’m not 100% skeptical, either. But enough.

Anyway, to clarify: If you are curious about the Steve Huff who says he is contacting deceased Indian actor Sushant Singh Rajput via his spirit box, this is not his blog.

You’re welcome to stick around, though. I’ve transferred years of posts to this site, many of them my crime writing, and I may even update it more often, like I’ve said I’d do for like 10 years and not really done.

Email to Customers About the Coronavirus From That Weird Junk Shop Run By the Guy Your Dad Knows From High School (Plague Diary, 2)


abandoned-strip-mall (1).jpg


Here at Jim’s Funky Junkatorium, our customers and associates are like family. Or at least people we see every now and then and may have followed home one drunken night last Christmas. Anyway, in the last few weeks, we’ve been laser-focused on the health and safety of our friends and loved ones.

We want JFJ customers to know that we’re following federal, state, and local agency guidance regarding the Coronavirus (COVID-19). It’s an evolving situation and we are on top of it!

Steps that JFJ is taking to protect our customers and staff:


  • Cleaning common areas as well as the freight elevator where our cashier Brad spanks the spigot every day at 1:30. (Yes Brad, you funky-handed scamp, we know.)
  • We’re disinfecting our cash register and credit card terminals; we’ll also no longer accept cash pulled from between boobs or buttcracks.
  • We sanitize the restrooms whenever Pasty Pablo or Stinky Lucy aren’t in there providing “carnal concierge services.”
  • We’re periodically wiping down display items, baskets, dollies, carts, and Brad. Mostly Brad.

For Employees

  • We encourage all JFJ associates to be vigilant about their health. No one is allowed to play snot-rocket bingo in the breakroom anymore.
  • Associates should follow the CDC’s suggested hygiene practices to the letter
  • Asking associates to stay home if they, or a family member get sick. They may also choose to set themselves on fire.

For Customers

  • We ask our customers to follow the CDC’s suggested hygiene practices to diminish viral spread
  • Just a reminder – stay out of the freight elevator.
  • Questions about inventory are welcome! Call our hotline.
  • When shopping, avoid eye contact with Brad.

These are terribly uncertain times. The world has grown wicked creepy scary. But we’ll stay open providing you premium pre-loved goods that have definitely not been stolen or—in the case of personal items—looted from funeral homes. Promise!

We’re open every day, 8 am till midnight or whenever we’re sure Brad has gone home and isn’t watching.

Your JFJ family

Air Puppets

Not long ago I went a bit mad and began making weird slow-motion GIFs of air puppets (or “sky dancers”). My friend Ceil, in a delirium born of illness, collected them all on Storify for some reason.

I did this because I am a strange man and I find strange things funny. Looking at them all in one place, I was surprised at how much I enjoyed seeing them. So here you go. And thank you, Ceil, really.

[View the story “Steve Huff’s Air Puppets” on Storify]

Rerun: The Max Headroom Signal Hack–The Nerdiest Unsolved Mystery

I first published this at on April 6, 2011. I’m re-posting it here (and deleting the original) with no edits, just a note that after I wrote the following, a friend clued me in that the reddit posts by “bpoag” mentioned at the end of this entry may have been an elaborate troll, so caveat lector.

It was the night of November 22, 1987 and many Chicago residents were watching a sportscast on WGN. Probably, what, eating brats? Snogging a piece of pizza pie like a lover? Perhaps sniffing their mustaches and drinking brewskis, just like Ma used to do?

Whatever sports fans were up to that particular night something hilarious and strange went down on the airwaves of a couple of Chicagoland TV stations, and the mystery of who brought the weird is unsolved to this very day.

It’s my favorite unsolved mystery that doesn’t involve ghosts, missing people, murder or whether the dealer is always the smeller: The Max Headroom Signal Intrusion.


The first hack hit WGN’s 9 p.m. newscast. During a Bears-heavy segment viewers suddenly saw a guy in an outsized Max Headroom mask, positioned in front of what appeared to be a sheet of corrugated metal. There was no audio track, just an electric buzzing. Some quick-thinking engineer at WGN flipped a switch and the newscast was back to normal. The puzzled newscaster said, “Well, if you’re wondering what happened, so am I.”

Nearly 2 hours later Chicago public TV station WTTW was airing the Dr. Who episode, “Horror of Fang Rock.” The “Fang Rock” episodes of the long-running BBC sci-fi series were interesting in their own right as they were based on a real-life mystery that occurred in the British Isles at the beginning of the 20th Century. That mystery, however, didn’t involve flyswatter spankings. See, this time the signal hacker went for broke. For some 90-odd seconds hydrocephalic fake Max Headroom performed a skit heavy with soda, rambling nonsense and bare-assed naughtiness.

The pirate signal cut in with a minimum of static and breakup and as the hyper, bobbing masked man rambled the corrugated tin swayed in the background in a seasick imitation of the digital effect that appeared behind Max Headroom on his eponymous TV show. His voice weirdly distorted, Big Head Max said, “That does it. He’s a freakin’ (or frickin’) nerd…Yeah, I’m better than (WGN sports reporter at the time) Chuck Swirsky, freakin’ liberal… Oh Jesus!”

Big Head Max then held up a can of Pepsi and said, “Catch the wave.”

“Catch the wave” was New Coke’s slogan. New Coke, one of the most infamously wrong-headed product revamps in history, was often criticized as tasting just like Pepsi.

Big Head Max continued, “Your love is fading,” then began humming the theme to Clutch Cargo, a 50s TV show. He said, “I stole CBS.” His rambling continued unintelligibly for another few seconds. This was probably just as well, as he hadn’t proven himself an eloquent revolutionary up that point. Big Head Max was understandable again in a moment, moaning, “Oooohhhhh, my files! Oh, I just made a giant masterpiece for all of the greatest world newspaper nerds.”

He held up a large woolen glove and said, “My brother is wearing the other one… (but?) it’s dirty.”

There was a jump cut and Big Head Max was now in one corner of the screen and he appeared to stick his tongue out through the mask. He said, “They’re coming to get me!” and turned away to reveal his white bare butt to the already gobsmacked Chicago Dr. Who fandom.

A second player in this final scene, a costumed woman, began whipping Big Head Max’s alabaster rump with a flyswatter. “Come get me, bitch!” shouted the most audacious broadcast signal hacker in history, “Oh, do it!”

And just like that, Dr. Who was back on the screen. And we future people fond of irrational performance art were perhaps a bit sadder for it (Except for die-hard Whovians, of course).


Matt Frewer as Max Headroom (Wikimedia)
Matt Frewer as Max Headroom (Wikimedia)

Any effort to understand the Max Headroom Hack needs a little background. Max Headroom was a sci-fi TV series starring Matt Frewer that aired on American television from March, 1987 through May, 1988. The show’s basic premise seemed tailor-made to attract the attention of the kind of folks with both the knowledge and motivation to pull off something like the WGN/WTTW signal hacks. From IMDB:

23 minutes into the future, the world has become imbued network-television. It’s illegal to turn off your tv, and televisions are given to the needy. In this world, Network 23 has a highly-rated news program with a roving reporter named Edison Carter. But Carter gets caught in an experiment to create a computer-generated personality, and “Max Headroom” is born. Together, Max and Edison, along with Edison’s controller (Theora), their boss (Murray), their boss’ boss (Ben Cheviot), and Network 23’s boy-genius (Bryce) combat crime, placate sponsors, defeat rival networks, and turn in stories.

The show was a Spring mid-season replacement and initially made a big splash, especially among critics.

Max Headroom became what we’d call a “viral” star today. He shilled for Coke on billboards and in commercials, even showed up on the cover of Newsweek.

Along with conversation, Max generated controversy. An AP article published in what were apparently some unusually bad news doldrums in August of ’87 spoke of how offensive the character’s “stutter” might be, and how it could provoke children to make fun of kids who stammered. At the time, few people knew anything about computer glitches that can cause digital media to jitter and jump.

From a contemporary article about the hack. (screengrab)
From a contemporary article about the hack. (screengrab)
Stutterers had the last laugh anyway. By mid-October that year Max Headroom was canceled due to low ratings (remaining episodes in the can when the show was canceled were aired off and on through Spring of the following year). Show producer Peter Wagg told the AP it was sad “that any time a producer with a great idea that is slightly different, that is challenging, that is possibly slightly ahead of its time will get turned down, because they’ll say Max didn’t work.”

Just over a month later, Big Head Max aired his weird little spanky show for perplexed Chicagoans.


As funny as the Max Headroom Signal Intrusion Incident of Spankery and Soda might seem to us today–hell, as funny as it was when it happened–it was a crime. According to Alan Bellows, writing at, the laws of the day “allowed for a maximum penalty of $100,000 and one year in prison for such signal piracy.” That’s why the FCC and the FBI launched an investigation aggressively seeking an unknown cult TV fan (or fans) with an affinity for terrible homemade skits, spanking, soda AND enough technical know-how and income to override the broadcast signal of TV stations in one of the top American markets, a list of qualities that probably looked pretty inelegant on a Most Wanted poster.

They had no luck. The feds concluded the signal was pirated when a more powerful beam overriding WTTW’s uplink signal was pointed at the station’s transmitter, which was atop the 1451-foot Willis Tower (then known as the Sears Tower). Powerful equipment fit for the job could have been purchased for well over $20,000. It also could have been rented for a few thousand bucks, though either way it would have been an awful lot of money to throw away on such an impenetrable and juvenile stunt. As for location, investigators believed the prankster(s) either did the deed from a nearby rooftop or used an exceptionally strong transmitter on the ground.

Tech-minded and curious folks posting to online bulletin boards–essentially early message boards–had a few ideas of their own. In an early online magazine, Tolmes News Service, magazine editor Dr. Hugo P. Tolmes called them “modemers” and quoted posters chatting on a board called “The Slipped Disk”:

87Nov26 1:05 am from Capt. Zap

My thoughts on the jamming of the Chicago stations comes down to one simple thought. It takes no massive amounts of power to jam a signal to any reciever. The ability to trace this type of jamming is going to be very difficult since it was a line of sight interception and over-powering of the signal. Now I have a few ideas that would make such actions possible. Think

about the use of standard microwave ovens with the basic wattage of 300 to 500 watts. Now inject your standard video / audio signal into this giga-bandwidth of space. Wattage + directed targeting at something that is so open and un-protected allows for all sorts of jamming and over-powering with ease.

[A few posters disagreed, one wondered if it was “an inside job.”]

87Nov30 6:02 am from The Chamelion

Hardly an inside job. They just aimed their transmitter at the same transponder that WGN uses, and used a higher power. It diesn’t even have to be significantly higher. Just more, and the WGN signal will cancel out. As I said before, it’s one of those things that doesn’t work out on paper. But it works. Welcome to Earth–Where everything you know is wrong.

“The Chamelion” also believed the Max Headroom hacker was one of his own kind: a disgruntled fan of the just-canceled show:

87Nov24 6:18 am from The Chamelion

This morning of ABC’s World News This Morning, there was a story about all the broadcast overrides. We’ve gotten WGN, WWOR, and the superatation out of Kansas, KTAT, I believe. He said “The FCC is looking into how someone could intercept broadcasts”. I’ve studied this for a long time, and believe me, it’s not hard. Especially overriding superstations. They showed a videotape of what was transmitted. It was […] A homemade Max Headroom. It was pretty neat. We’ll strike again. I can guarantee it.

Sadly, for anyone who enjoys real-world eruptions of absurdist comedy, it didn’t happen again. There have been other broadcast intrusions in the years since, but none of any significance over American airwaves.


It’s been 23 years since the Max Headroom Incident and the chances anyone will be arrested or come forward grow slimmer each day. It’s that rare mystery that in a way, I don’t want to see solved. There was something joyfully anarchic about the effort put into a pointless act and somehow the idea of that person (or those people) going on with their live(s) while hiding that one big, strange secret makes me giggle.

At least one person has said he thinks he knows who did it. Using the screen name bpoag, he posted the following on the influential link aggregator Reddit in early January, 2011: “I believe I know who was behind the “Max Headroom Incident” that occurred on Chicago TV in 1987. A bunch of people have been asking me about this lately, so, I figured i’d do a coredump AM(almost)A.”

Other Redditors picked the poster’s contentions about his suspects apart in their usual thorough way, and he really didn’t seem all that sure he was right in the first place. Still, his amateur profiling of the kinds of personalities that could conceivably be involved in such shenanigans was pretty interesting. His thumbnail sketches of the brothers he felt were capable of such a prank:

K was a quiet guy. Even though he lived in this apartment with his girlfriend, he often took care of his older brother J who still lived at home. The degree of J’s autism was such that I doubt he could ever hold down a job, even a part time job.

J, despite having fairly severe autism, and coming off as basically…crazy, was actually kind of funny. His sense of humor was sort of disturbing, sort of sexually deviant in nature. He wasn’t very personable, but he was funny.. The sort of person that you would feel kind of uncomfortable sitting next to as a kid, but he would grow on you after a while, and you would accept him as one of the group after realizing that his mannerisms were odd but basically harmless. No eye contact, ever, but the dirty jokes were funny, at least to me as a 13 year old at the time.

The brothers did sound like the sort of team who might conceive of such a stunt, but ultimately bpoag’s story was missing any concrete statement as to why it might have been done or whether “K” and “J” had the wherewithal to do it.

I worked in the broadcast television industry for more than a decade, mostly behind the scenes, in engineering. I was an operations guy, running the machines and doing the clerical work that ensured the right programs and commercials aired at the right times. I got to know many TV engineers and they were, to a man, an odd bunch of dudes. The first time I encountered the video of the Max Headroom incident, I immediately thought of the man who was my supervisor at a public TV station for 4 years. He was a decent guy but quirky in a way that didn’t always seem benign. I didn’t think he was the prankster, of course, but it has occurred to me that whoever pulled off the Max Headroom hack was probably a lot like him: an engineer, with real knowledge of the way the mechanics of broadcasting worked, an in-depth knowledge of signal flow, power levels and the like, but also off-balance and not all there, with a head full of strange ideas he happily pursued the moment he left the station each day. My former supervisor filed patents for all sorts of inventions and frequently sued others whom he felt had stolen his work. He was a soft-spoken man who could hold a perfectly normal conversation then start spinning off into a world of his own, a world that could only be described as mildly delusional. He was basically socially competent, but you didn’t have to work with the guy long to see that he had a thriving little aquifer of insanity underneath his rational engineer’s veneer, and that aquifer could bubble up anytime and inspire him to do brilliant things or even brilliantly crazy things, if the time was right.

The mind behind the Max Headroom Hack was surely a lot like that: sane and rational enough on the surface, technically proficient in the necessary ways, full of bubbling weirdness underneath.

Not long after that last flyswatter slap died away, I’m certain the hacker probably had more than a few co-workers looking at him sideways, maybe even joking, “if anyone could do that, you could.”

I like to imagine the King of Signal Hackers simply smiling as if they were sharing a mildly amusing joke and moving on, quietly humming the theme from Clutch Cargo.


The spirit of the Max Headroom Incident lives on today. While hacker collective Anonymous developed independently in the early 2000s, a video they posted addressing Scientologists back in 2008 seemed like a respectful nod to one of their spiritual forefathers, the Max Headroom Signal Intruder.

Big Head Max, the hydrocephalic spanking fan, achieved that which Anons today always seek: flawless victory. He loosed his crazy on the world and scampered away, uncaught.

Man to try and pass off pet dead hobo as Bigfoot

Screengrab from Seems legit.
Screengrab from Seems legit.

Stop me if you’ve heard this one: a man is roaming in the Texas wilds when he straight up shoots a large bipedal hominid in the face (or something). If you said, “Dick Cheney!” you’d be right, but no, this is about self-styled Bigfoot hunter Rick Dyer, who says he’s got a dead Sasquatch on ice and plans to show it to the nation:

Rick Dyer released these photos on Thursday of what he says is proof that the mystical creature does, or at least did exist, before he shot and killed it. The legend chaser told our affiliate station, KSAT, that he shot and killed the creature while camping in a wooded area on the northwest side near Loop 1604 and Highway 151 in early September 2012.

Cool story, Rick, I’m sure it’s just as true as the story told by the guy who exhibited the dead Sasquatch my dad took me to see at 100 Oaks Mall in Nashville in 1978. Dead, iced-up Bigfoots all over the damn place, for decades now, apparently.

One hopes Mr. Dyer put the poor creature on ice. Bigfoots are legendarily stinky, and one that’s been dead longer than a year surely smells worse than a live specimen.

I can’t even bring myself to discuss the hirsute dead hobo possibility, because I don’t want to live in that world. Though I kind of do.